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Satis Shroff's

FreiburgerCreative Writing Workshop 2014

 

 

WELCOME to Satis Shroff's

Freiburger Creative Writing Workshop

Location: At the Freiburger Writing Center

(Schreibzentrum PH-Freiburg)

Satis Shroff is a published writer, and if you’re interested in Creative Writing he will be guiding you in your writings. We can’t offer you credit-points for your writing but if you write for fun and want to take your writing forward then just come along and give it a try.

 

Satis Shroff is an experienced lecturer, poet and writer and the published author of five books: Im Schatten des Himalaya (book of poems in German), Through Nepalese Eyes (travelogue), Katmandu, Katmandu (poetry and prose anthology by Nepalese authors, edited by Satis Shroff), and two language books on the Nepalese language for DSE (Deutsche Stiftung für Entwicklungsdienst) & Horlemannverlag.

You can read his books on:  www.Lulu.com/spotlight/satisle

 

He has written feature articles in the Munich-based Nelles Verlag’s ‘Nepal’ on the Himalayan Kingdom’s Gurkhas, sacred mountains and Nepalese symbols and on Hinduism in ‘Nepal: Myths & Realities (Book Faith India) and his poem ‘Mental Molotovs’ was published in epd-Entwicklungsdienst (Frankfurt). His lyrical works have been published in literary poetry sites: Slow Trains, International Zeitschrift, World Poetry Society (WPS), New Writing North, Muses Review, The Megaphone, Pen Himalaya, Interpoetry. He is a member of “Writers of Peace,” poets, essayists, novelists (PEN), World Poetry Society (WPS) and The Asian Writer.

 

Satis Shroff is based in Freiburg (poems, fiction, non-fiction) and also writes on ecological, ethno-medical, culture-ethnological themes. He has studied Zoology and Botany in Nepal, Medicine and Social Sciences in Germany and Creative Writing in Freiburg and the United Kingdom. He describes himself as a mediator between western and eastern cultures and sees his future as a writer and poet.

 

Since literature is one of the most important means of cross-cultural learning, he is dedicated to promoting and creating awareness for Creative Writing and transcultural togetherness in his writings, and in preserving an attitude of Miteinander in this world. He lectures in Basle (Switzerland) and in Germany at the Academy for Medical Professions (University Klinikum Freiburg) and the VHS-Freiburg and VHS-Dreisamtal. He has worked as a Lehrbeauftragter for Creative Writing and Scientific English at the ZfS Uni Freiburg, and now at the PH.

Satis Shroff was awarded the German Academic Exchange Prize and the Social Engagement Prize of Green City Freiburg, and was nominated for the German Social Engagement Prize. If you wish to know more about the author, please google for: Satis Shroff in the internet.

 

What others have said about the author:


„Die Schilderungen von Satis Shroff in ‘Through Nepalese Eyes’ sind faszinierend und geben uns die Möglichkeit, unsere Welt mit neuen Augen zu sehen.“

(Reviewed by Alice Grünfelder von Unionsverlag / Limmat Verlag, Zürich).

Satis Shroff writes with intelligence, wit and grace.

(Reviewed by Bruce Dobler, Associate Professor in Creative Writing MFA, University of Iowa).

‘Satis Shroff writes political poetry, about the war in Nepal, the sad fate of the Nepalese people, the emergence of neo-fascism in Germany. His bicultural perspective makes his poems rich, full of awe and at the same time heartbreakingly sad. I writing ‘home,’ he not only returns to his country of origin time and again, he also carries the fate of his people to readers in the West, and his task of writing thus is also a very important one in political terms. His true gift is to invent Nepalese metaphors and make them accessible to the West through his poetry.’ (Reviewed by Sandra Sigel, Writer, Germany).

'Brilliant, I enjoyed your poems thoroughly. I can hear the underlying German and Nepali thoughts within your English language. The strictness of the German form mixed with the vividness of your Nepalese mother tongue. An interesting mix. Nepal is a jewel on the Earth’s surface, her majesty and charm should be protected, and yet exposed with dignity through words. You do your country justice and I find your bicultural understanding so unique and a marvel to read.'

Reviewed by Heide Poudel in WritersDen.com 6/4/2007.

'The manner in which Satis Shroff writes takes the reader right along with him. Extremely vivid and just enough and the irony of the music. Beautiful prosaic thought and astounding writing.
'Your muscles flex, the nerves flatter, the heart gallops,
As you feel how puny you are,
Among all those incessant and powerful waves.'
“Satis Shroff's writing is refined – pure undistilled.”

(Reviewed by Susan Marie,Journalist & Writer,www.Gather.com)

“I was extremely delighted with Satis Shroff’s work. Many people write poetry for years and never obtain the level of artistry that is present in his work. He is an elite poet with an undying passion for poetry.”

Reviewed by Nigel Hillary, Publisher, Poetry Division - Noble House U.K.

Copyright © 2014, Satis Shroff (Freiburg). You may republish this article online provided you keep the byline, the authors’ note, and the active hyperlinks.
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COMMUNICATION
 

Module: Creative Writing: Poems, Short-stories, Microstories
 

Lecturer: Satish Shroff, B. Sc (Zoology, Botany), Dipl. Social Sciences, Creative Writing (UK), writer, poet, journalist (The American Chronicle and its affiliated 21 newspapers, USA) and artist.
 

Max. students: 20


ECTS Points: none

 

Ziel: The aim of this course is to develop and improve language creativity in English, learn successful writing habits, work on one’s creative impulse, learn basic writing techniques, and develop an idea factory, improve writing skills and try different genres. Whether it’s poetry, short-stories, microstories, fiction or non-fiction, you have to learn the precise use of language and that’s where Creative Writing comes in. If you’ve always wanted to write an anthology or a book, then join us in an atmosphere of mutual respect, tolerance, cooperation and fun in writing.

 

Creative Writing leads to the critical appreciation of literary works and through it you learn to be a critical writer and a demanding reader. It offers a challenge to the mythology of a writer as a ‘genius.’ The idea of a Creative Writing course, seminar or workshop is nothing new, for writers and poets have in the past such as Lord Byron and Mary Shelley and her husband PB Shelley and Goethe and Schiller have always worked together. It was Ezra Pound who advised TS Eliot to rewrite The Waste Land. I like George Bernard Shaw’s advice: ‘If you do not write for publication, there is little point to writing at all.’

 

At the end of the course you will get the opportunity to have your submissions (poems, microstories, short-stories printed in an anthology in the internet, if and when, you give your consent. I think it’s fun to share your creative works. There will also be a reading with Annette Pehnt's students who will be doing Kreatives Schreiben in a parallel course in German.

 

Inhalt: Every student has to write when he or she studies at the university. In this course we do the basics of writing techniques which can be used for poetry, fiction, non-fiction and short-story and microstory writing.

 

1. Microstories
2. A Cross-pollination of Forms (Imagery, Inspiration, Poetry)
3. The Interview

4. How to gather stories: Notebooks, Journals, Mining Memory
5. Variety in Your Writing

6.Fiction Techniques in Non-fiction Scientific Writing

7. Dialogue and Plot

8. Writing the Short Story

 

Zu erbringende Leistungen: Active participation throughout the course, writing classwork and homework submissions,writing exercises during the extended weekend courses,The writing workshop at the PH-Schreibzentrum is open for non-PH people as well. A one-time fee of 10 euros has to be paid for the entire series of workshops.

 

Bemerkungen: Knowledge of English literature welcome but not a necessity. Students from all PH faculties and non-PH faculties (University students, Fachhochschule,FH) are welcome.

 

Termine:

When? Monday, May 12, 2014 (6pm till 9pm)

Monday, June 2, 2014 (6pm till 9pm)

Monday, July 7, 2014 (6pm till 9pm).

Ort : PH Schreibzentrum, Littenweiler
Belegung: Ab sofort über http://www.ph-freiburg.de/studium/creativewriting

 

A. Thematische Einordnung und spezifische Inhalte der Veranstaltung

Every student has to write when he or she studies at the university. In this course we do the basics of writing techniques which can be used for poetry, microstory, short-story (fiction, non-fiction) writing.

 

1. Microstories
2. A Cross-pollination of Forms (Imagery, Inspiration, Poetry)
3. The Interview
4. How to gather stories: Notebooks, Journals, Mining Memory
5. Variety in Your Writing
6.Fiction Techniques in Non-fiction Scientific Writing
7. Dialogue and Plot
8. Writing the Short Story

B. Zentrale Lernziele der Veranstaltung: The central aim of this course is to learn the writing techniques mentioned in the course and as a result, the students should be able to attain a certain amount of proficiency in writing poems, lyrics and texts on their own.

 

Cognitive learning goals: The students learn that writing is a craft, not an art, and write by forming sentences in their minds, adjusting, writing and discovering how to turn the drab (things in life) into the jewel. The students should learn to set a goal (time management) of publishing their verses or prose either on the internet (www.Lulu.com or www.booksie.com

(as PDF) as a printed book and e-book. The publication helps a student to become a specialist in the field of his or her choice.

 

Affective learning goals: The students will learn to make the precise use of language through text-revisions, and learn to be critical about texts, learn to edit and improve not only their own texts but also those of other writers. To be emotionally attached to words and to use the appropriate words in the best way, for words conjure images, vivid pictures---whether in poetic scenes or in describing an aesthetic product. That’s what we learn in this course, making use of our cognitive learning goals.

 

What do I expect from you? The desire to develop yourself and be willing to try different genres in creative writing and take your writing further. The ability to work with concentration. The ability to reflect over the themes that we’ve discussed or treated. Flexibility and a fair amount of working under duress (deadlines of budding and professional authors).

C. Aufgaben und Leistungen, die die Studierenden erbringen

- Students are allowed to bring in work in progress
- Students should make a presentation
- Project (book, anthology or Hausarbeit (academic dissertation, short-story, a collection of poems or microstories or both)

Arbeitsaufwand for students ca. 100 hours.

Method and Competence: The lectures will be combined and activated with methods that have the aim to get more out of a theme through brainstorming, group-puzzle and the use of writing templates (eg. software) and take your writing forward.

We’ll be using different learn methods and social forms like writing on your own, sharing your work with a group and presenting it in a peer-plenum to acquire useful feedback.
We’ll be experimenting with stream of consciousness and the interior monologue to enhance your powers of observation and description by starting a Creative Writing diary till the end of the course and beyond. Oscar Wilde said: ‘I never travel without my diary. One should always have something sensational to read in the train.’
We’ll find appropriate triggers to gain access to our memories.
We’ll be using the autogenic exercise to go back to your past as though you’re as a child on film.
You will learn how to make your characters lead their inner lives.
You will learn to train your writer’s ear to transform actual speech into carefully crafted dialogue.
You’ll learn to flesh out your story by creating a portfolio for each character. You will understand how much there is to know about a character that you’ve created.
 

Social Competence: This course will enable and encourage you to learn in a team
Develop the ability to communicate with others and your readers
Show willingness to co-operate with others by reading and commenting on texts of other writers.
The will to solve a conflict when it appears in the writing class.
The ability to get into the thoughts of the other writers and examine their viewpoint by exchanging texts. The desire to come to an agreement, compromise and look for a mutual solution.

 

D. Basisliteratur

Allen, R.: Literatur in 5 Minuten. Ein Schnellkurs. Zweitausendeins Frankfurt. 2002.

Bernays. A., Painter, P. : What if? Harper Collins Publishers. New York. 1990.

Millner, C.: Write From the Start. Simon and Schuster. 1992

Stein, S.: Write pro fiction. Das Erfolgsprogramm für Schriftsteller. Zweitausendeins Frankfurt. 2002.

Truss, Lynne.: Eats, Shoots & Leaves. Gotham Books. 2004

www.dobler’s dozen

 

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