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MEETINGS 2011/2012/2013

Planned Meetings May 2013

Joanne Finley Smith, University of Newcastle, "Muslims in China" (maybe general topic, not actual title), Wednesday, May 1st, 3-5 p.m., CB 203. In partnership with Department of Divinity.

Dr. Smith Finley obtained her BA Honours in Modern Chinese Studies at the University of Leeds in 1991. For three years between 1992 and 1994, she studied Japanese language and culture, and taught English in Kyoto, Japan. She then returned to the UK to pursue an interdisciplinary PhD in Chinese Studies / Social Anthropology at the University of Leeds, funded by the Economic and Social Research Council, UK, and including a year of ethnographic fieldwork (informal interviews and direct observation). Her thesis focused on changing identities among the Muslim Uyghur nationality of Xinjiang, NW China, and contemporary Uyghur-Han relations (June 1999). Between 1997 and 1999, she worked as a teaching assistant on undergraduate Chinese language and postgraduate Chinese-English translation modules for the University of Leeds, before joining Newcastle University as Lecturer in Chinese Studies in January 2000.

 

Professor Jane Duckett, Edward Caird Chair of Politics, Glasgow, May 15th, topic and venue TBA. In partnership with Department of Politics and International Relations

Jane Duckett is Edward Caird Chair of Politics and Director of both the Scottish Centre for China Research and the Confucius Institute at the University of Glasgow. Her early research on the Chinese state under market reform included a book-length study, The Entrepreneurial State in China (Routledge, 1998). It explained state business activities as the outcome of fiscal and staffing constraints on officials in an institutional context of poorly defined property rights. Jane also (with colleague Bill Miller) made a comparative study of public attitudes to openness in East Asia and Eastern Europe, published as The Open Economy and its Enemies (CUP, 2006). Her current research is concerned with the politics of China’s social policy making and implementation. She argues through studies across a range of social policies (on local social welfare financing, health insurance, poverty and unemployment), that the politics behind them and their enormous redistributive consequences make them central to the Chinese state’s marketising project. Her recent monograph, The Chinese State’s Retreat from Health: Policy and the Politics of Retrenchment (Routledge, 2011) draws on comparative political theory to explain the Chinese state’s retrenchment in health care provision. She has also recently co-edited (with Beatriz Carrillo), China’s Changing Welfare Mix: Local Perspectives (Routledge, 2011), a book that takes a local perspective on China’s evolving social welfare provision. Jane has worked as a policy and social development consultant on a number of internationally-funded aid projects in China. Her previous research has been funded by the ESRC, Leverhulme Trust, British Council, British Academy, and the European Commission. In 2012 she received the Lord Provost of Glasgow Education Award.

Prof Duckett recently published a paper on "China's leadership Transition", in Political Insight, a magazine of the Political Studies Association.

 

 

Report of Meeting,

Tuesday, February 26th 2013

Professor Paul Dukes

New Towns for Old: Some Views of Tianjin and Harbin.

Professor Paul Dukes was Professor of History, Aberdeen University, 1988-99, Emeritus Professor, since 1999; Advisory Editor, History Today. He publishes widely on aspects of Russian, American, European and world history.

NEW TOWNS FOR OLD: TIANJIN AND CHANGCHUN

Professor Paul Dukes visited China twice, in April-May 2005 to the town of Tianjin, the seaside resort of Beidahe and the Great Wall and in September 2012 to the towns of Tianjin, Changchun and Harbin.
Here are some extracts from Professor Dukes travel diary.


CHINA DIARY,  SEPTEMBER 2012

Monday 10 September is 'Teachers Day', with many ceremonies on English-language CCTV including much bowing and many flowers, somewhat reminiscent of the Russian 1 September, and appropriate for my first seminar.
 

Wednesday 12th September . Tianjin has a total population of about 12 million (more than twice Scotland), but not all around today because certain categories of traffic have been forbidden because of World Economic Forum (concentrating on growth). See traffic police extracting fine for infringement. There were nine concessions. The British Concession area has changed a lot since 2005. The hospital has become a church again, with wedding pictures being taken as part of campaign to jazz them up. The Synagogue was empty in 2005, then a restaurant, now a club.  In 2005, not allowed to take photo of English Tientsin Club because it’s now For People’s Political Consultation. Cinema replaced by Concert Hall. Kiessling’s Food Shop still there, but very expensive. Cakes not so good as 2005. A reproduction of Constable’s ‘Hay Wain’ as well as of a concession ceremony is in the hall along with a photo of the founder. (During the Cultural Revolution, it was known as the Workers’ and Peasants’ Dining Hall.) We eat at Subway.

Saturday 15 September.  Teaching session. As part of the discussion of the role of the individual, the members of the class give their heroes: FDR, Abraham Lincoln, Mao, Frederick the Great, Marco Polo, John Forbes Nash, Tolstoi and Victor Hugo (who apparently denounced British and French sacking of Summer Palace.). Bright lights and noise in supermarket overwhelming. Upmarket jade boutique next door. I like a piece of jade with the hand of the Buddha and a bat on it for 3200 Yuan. Heather tells me to show doubt rather than enthusiasm. After several phone calls, much use of electronic calculators and a walkout for about an hour, we get it for 500 Yuan, although credit card machine will not work. Struggle through security and  heat to train for Haerbin. After some time, country opens out with large fields.

Sunday 16 September. Changchun more open than Tianjin, as well as smaller. Traffic easier. Visit to Pu Yi’s Imperial Palace, and gardens. No time, fortunately, to see exhibition of Japanese occupation. As we’re leaving, lots of police and army gathering for anti-Japanese demo.

Monday 17 September. Students from Russia (Tomsk and Volgograd), Armenia, Kazakhstan, Kyrgyzstan, Lesotho, Nigeria, Pakistan, Portugal, Senegal, Cambodia, Ethiopia, Venezuela, Brazil, Chile, Peru, Argentina. Speak at class with Argentinian girl who is proud of her grandmother, the daughter of a Protestant missionary from Bath. She herself RC. Malvinas war scared government off more serious conflict with Chile. Lesotho man proud of being in Commonwealth.

Saturday 22 September. Off to Haerbin. Drive along dual carriageway to Black Dragon River Province. Haerbin large, busy and smoggy.  Search for former St. Sophia Cathedral now museum. Russians still living here say girls at information desk, but don’t see any except perhaps for one or two of mixed descent  Even longer search  for ‘Jewerish church’ . Past beer hall to old street festooned with lines of matchmaker cards. Evening walk along riverside Stalin Park, with many people enjoying an evening stroll or PT or roller-skating.  A group wants to know where I’m from and a woman taps me on the stomach and says I should visit her health salon. Luxurious hotel.

Sunday 23 September. Early morning walk in Stalin Park, where mass and individual callisthenics. Western breakfast with cornflakes, fruit and coffee.  We agree not to walk around Sun Island Park where Ice Lantern Festival takes place in January but proceed to Siberian or Manchurian Tiger Park, where gaudy Disneyland meets dowdy zoo. Man buys live chicken for 60 Yuan to throw to those in cages after taunting them. Excellent ring road once we find it after taking wrong turning along another under construction. Stop for lunch at roadside restaurant, OK except for floor covered in debris. DVDs, toiletries and snacks for sale. Fruitless search for new suitcase in huge mall.c Chinese students do not revere ancestors, but have some respect for their elders, including Grandad from Aberdeen. Limited acceptance of Confucius on stages of human life.


Conclusions, old and new. China still inscrutable perhaps, but definitely not unchanging. Convergence? All of us together in rapid progress towards global pollution.

 

Report of Meeting
Tuesday, December 5th 2012

Dr.Isabella Jackson 

Rethinking Colonialism in China: the Shanghai Municipal Council, 1900-1943

Dr Jackson is a lecturer in the Department of History, University of Aberdeen. She researches the modern history of China and the global and regional networks that shaped the treaty ports, which were opened to foreign traders by force, in the nineteenth and early twentieth centuries.

Dr Jackson drew a concise yet comprehensive picture of this fascinating and relatively unexplored subject, her aim being to suggest a reconsideration of the way in which colonialism in China has been presented. She began by highlighting the fact that many people, when thinking  of the British colonies, tended to concentrate on the larger colonies in Africa and India. However, in the case of Shanghai, size did not matter!  Prosperous Shanghai was the centre of the British colonial presence in China with a larger British civilian population than Hong Kong.’

Dr Jackson described how the small International Settlement of Shanghai was established in 1843 in accordance with the Treaty of Nanjing at the conclusion of the first Opium War. The expected outcome was that traders - predominantly British - would settle there temporarily, using the settlement as a trading base.  She described with great clarity the development of the Shanghai Municipal Council (SMC)- which emerged from the Committee of Roads and Jetties - and the extent of the British dominance within it. Shanghai was unique among treaty ports in that the SMC wielded more power than the resident consular body creating, by the 1920’s, a source of antagonism and frustration detrimental to relations with China

The primary departments of the SMC were the Secretariat, Finance, Police, Public Works and Health with smaller departments for Education and Industry. The SMC employed the largest number of British personnel in Shanghai who also occupied the majority of senior positions. The Secretary of the council was the most highly paid employee and wielded enormous power. J.O.P Bland Secretary (1897-1906) and Stirling Fessenden (Secretary1929-1939) were considered more powerful than the chairmen of the council.  Men exercised most control and influence with Eleanor Hinder, employed as Director of the Industrial Section, being the only female to head a department.

The Shanghai Municipal Police (SMP), the largest municipal department, employed more than half of the total staff. Although ostensibly an international force with Sikh, Chinese and Japanese branches, the power continued to lie in the hands of the British.The council’s power was also supported by the Shanghai Volunteer Corps (SVC), whose companies were organised by nationality. 

Although the SMC was dominated by the British, the Chinese were not solely, ‘passive victims of imperial oppression’ and eventually, by 1928, played an active part alongside other international representatives, e,g, British, American and Japanese. The Chinese and Japanese council members lobbied hard for increased spending on issues advantageous to their respective communities, e.g. education. The strictures on eligibility for election to the council  meant that it largely drew its membership from wealthy landowners and big companies. Prominent among these were employees and/or family members of Jardine, Matheson and Company; the Peninsular and Orient Steamship company, Butterfield and Swire, British American Tobacco, etc. The longest serving settler chairman was Stirling Fessenden. Although an American he was considered to be ‘more British than the British’ - making him unpopular with the American consular authorities. Most notable among the Chinese members of the council were Yú Xiáqīng, Chairman, Chinese Ratepayers Association, president of Chinese General Chamber of Commerce; Xí Xīnliū, Director of the National Commercial Bank in Shanghai; Chén Tíngruì graduate of Michigan law school.

Dr Jackson concluded by commenting that although the council was dominated by British influence from its establishment in 1854 up to the 1942 resignation of the British members, there was always an element of internationalism - albeit confined to particular national and elite groups. Her final slide was of the Municipal Flag - a combination of British, American, German, French, Danish, Russian, Italian, Portuguese.Spanish, Austrian, Dutch, Swedish and Norwegian flags with the motto, ‘ omnia juncta in uno’ (all joined in one).

 

Report of Meeting October 2nd 2012

5.15pm Room F61, Edward Wright Building,Old Aberdeen


Dr. Chia-ling Yang, Lecturer in Chinese Art, University of Edinburgh. The title of her talk is Sexuality and Patronage in Art of Shanghai.

Dr Chia-ling received her first degree in Chinese Literature from the National Taiwan University, an MA from Art History at the University of Warwick and her PhD at the University of London (SOAS) in Art and Archaeology. She was visiting scholar at the Academia Sinica (Taiwan, 2000) and the University of Heidelberg (Germany, 2001-02), and was awarded a postdoctoral fellowship to research and teach in Art History at the University of Chicago (2003-04). Yang was Lecturer in Chinese Art at the University of Sussex (2004-07) and University of London (SOAS, 07-09) before she arrived in Edinburgh. She also lectures at the V & A and the British Museum on Chinese Painting.  Dr Yang researches principally on the Chinese painting, archaism in modern Chinese art, visual culture in Shanghai and its interactions with Japan and the West in 19th and 20th centuries.  She welcomes  research students who are interested in Chinese painting and calligraphy, cross-cultural artistic production, and the visual culture of modern/contemporary China.

Sexuality and Patronage in Art of Shanghai

This richly illustrated talk called attention to the representation and significance of the courtesan in 19C Shanghai art.

Dr Yang began by highlighting three recurrent themes in which the courtesan figured either as a source of inspiration or sponsorship:-
· Stories of historical figures sharing musical pleasures with concubines or courtesans
· Three chivalrous travellers
· Looking at the Deserted Country Solemnly

 She posed two questions:-
· Why did artists choose these subjects?
· Who were the audience/patrons?


Artists chose these subjects for a number of reasons:-
· To demonstrate not only the beauty of top-ranking courtesans but also their intellectual capabilities. (N.B - there were four ranks of courtesans).
· To show the variety of pleasure gardens/quarters and demonstrate their significance as the basis for the work of both the courtesan and the artist. (N.B - there were eight forms of entertainment).
· To thank or flatter patrons, e.g. portraits annotated with praise of the sitter


There were a variety of patrons:-
· Immigrant patrons
· Overlapping patrons – art collectors, pleasure quarter patrons


Dr Yang drew an interesting comparison between the work of the Shanghai artists and the French Impressionists who also used prostitutes as models and muses and brothels as both home and studio.

 

As the century progressed, photography gained in popularity and early photographers treated their subjects in a similar fashion to traditional painting. Eventually though, photographs of courtesans could be found in pleasure quarters, forming a kind of beauty queen competition for the ‘best’ courtesan.

Dr Yang delivered a talk which was both clear and entertaining – our thanks to her for that. It was especially heartening that the talk was so very well attended by students from the Art History department.

Tina Stockman

Treasurer/Publicity and Communication

Aberdeen Chinese Studies Group


AGM 2012

After the recent AGM, there have been some changes to the committee. They are as follows:-

Honorary President: Sandy Hamilton

Secretary: Dr Norman Stockman

Chairman: Martin Mills

Treasurer: Tina Stockman


Committee Members

Dr Isabella Jackson - a new face for the committee. Dr Jackson will be joining the History Department in September 2012.

Judith Thrower

Jim Suttie

Tuesday, May 15th 2012

University of Aberdeen

MacRobert Building (Faculty of Education, King Street)
 

Dr Li, Ruru, Department of East Asian Studies, University of Leeds.
 

Dr Li's research interests lie in performance art, comparative and intercultural theatre studies. Dr Li, Ruru acquired her BA and MA at the Shanghai Theatre Academy and her doctoral degree in Drama and Theatre at the University of Leeds, UK. Brought up in a Beijing Opera actress family, she received some basic training when she was ten. Her research interest lies in performance art, comparative and intercultural theatre studies. She also performs Beijing Opera and runs various workshops. She regards regular contact with the theatre as essential to her academic work.
 
The last meeting of the academic year proved to be one of the most interesting with a dazzling presentation by Dr Li.  Not only was the group given a clear picture of the development and diversity of Chinese theatre but was also treated to an enchanting- but sadly brief - example of traditional Chinese theatre.
 
Dr Li began by explaining the importance of dialect for traditional Chinese theatre. This gave the audience a sense of place more significant to them than state created provincial borders.
 
She continued by describing the two essential strands of Chinese theatre:-
 
1) Indigenous song-dance theatre – of which there are over 300 varieties.
 
 The main difference between the varieties is dialect-based singing and music. It is highly stylized, bound by strict rules and conventions with traditional character types ( male, female, clown, painted face) based on gender and social status, cf Commedia del Arte. Dr Li showed a clip from Crossroads, a military play, in which two men fight in what the audience are to believe is total darkness - although the stage is fully lit. The skill and speed at which the actors performed was breathtaking as well as being very funny!
 
Another clip from a civilian play, Beauty Defies Tyranny , told of a woman who pretends to be insane to prevent herself becoming the concubine of a lustful emperor. To illustrate this genre, Dr Li performed a short extract from the play.
 
2) Western inspired theatre
 
One of main features of modern spoken drama is contained in its very name – which distinguishes it from sung drama. It also serves a social function by reflecting historical and cultural events. Modern Chinese theatre originated in the cities and was welcomed by young students and intellectuals as it dealt with contemporary issues. Western drama played an important role in modern Chinese drama.
 
Some significant dates:-
1907 Western influences came via Japan.  The first spoken drama by Chinese students studying in Tokyo – Act 3 of  Dumas’ La Dame aux Camellias. Also performed in Shanghai.
1933 Performance of John Galsworthy play, The Silver Box, directed by eminent actor/director CaoYu. There was no pretence of this being an ‘English’ performance, this was a Chinese interpretation of an English play.
1935 An interpretation of Molier’s Le Misere, in Chinese costume, also Cao Yu
1943 Hungarian play about Mozart, Requiem, with Cao Yu acting.
 
Cao Yu was the pen name of Wan Jiabo (1910-1996) a pioneer of modern Chinese drama. He moved from being an actor to being a playwright and his plays, containing contemporary socio/political themes, have reached iconic status.  His centenary in 2010  was marked by the issue of a special postage stamp on his birthday, September 23rd.  Among his plays are The Wilderness, Sunrise and Peking Man.  However, it was the stage performance of Thunderstorm, 1935, which radically changed the theatrical scene in China. It won over the urban audiences and (apart from the 10 years of the cultural  revolution) is in constant production. Although the structure of the play is in a ‘borrowed’ Western style, it has its roots in Chinese traditional theatre.
 
The Model Theatre of the cultural revolution obliged actors to follow the conventions of traditional Chinese theatre although foregoing traditional costume.  The effect was rather similar to a western-style musical.  Themes tended to be pro-revolutionary propaganda.
 
Today, Chinese theatre is able to both innovate yet retain and develop traditional theatre – sometimes combining both as can be seen in the performance of White Snake, a play based on a famous Chinese fairy story. The Aberdeen Chinese Studies group were privileged in seeing a clip from a modern production of this play, directed by David Jiang.

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

May 2012

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Tuesday, April 24th 2012

University of Aberdeen

Room F61, Edward Wright Building, 5.15pm

Pofessor Wang Li

China's Client Status in a Europe-Dominated World System

Professor Wang Li works in the Department of World History, Nankai University. He was educated in China, the United States and United Kingdom, with academic training covering World History, International Relations and European Studies. He is also an adjunct professor at  the Institute of International Studies, Jilin University.

Professor Wang Li’s talk was both erudite and entertaining. It raised some very appealing and optimistic points about the relationship between China’s economic status and that of America and Europe.

 

China is the world’s second largest economy and therefore could be deemed extremely powerful. However, in terms of being a super-power like America, Professor Wang said it still has a long way to go. Some optimistically say that it might catch up in 2017...or possibly 2030 ...or even 2049 (neatly a hundred years on from the founding of the People's Republic).

 

Professor Wang’s argument included the following questions:-

·         What had China learned from their past when they started to deal with

Europe ?

·         Why was was China regarded as a client, in some way unequal and/or weaker than European counterparts?

 

After defeat by Japan in the First Sino-Japanese War, China felt degraded and humiliated and not afforded respect by the big European powers. In the first part of the 20C, their perceived role was merely to sign agreements unquestioningly and bnot take part in the decision-making process. In the face of this state of affairs, China realised that it could not wait passively to gain respect and power.  Professor Wang argued that the wakening of China emerged from the influences of Europe as far back as the 16C when Matteo Ricci, an Italian missionary was taken up by the Chinese court as well as, in more recent times, from a ‘europeanised’ Japan.

 

Professor Wang contended that in 1978, after Mao, the new Chinese government had to make a choice between being decent (i.e. acting responsibly towards the indigenous population, promoting economic growth) and being powerful (building up military forces and resources, looking to extend borders). Professor Wang feels that China has chosen the first option and that it prefers to expand its economic rather than military might.  This could possibly hamper China’s path to becoming a super-power like America but would ensure that the country continued to develop and benefit China’s population.  Professor Wang also thought that China’s  considerable internal economic and social problems were of more immediate concern to the government than a desire for superpower status and that the ‘threat of China’ suggested by western scholars was non-existent.

 

There was now a new generation of post-revolutionary leaders, the ‘technocrats’ – possibly less visionary and more inflexible than leaders of the past.  The commitment, however, remains to promoting the two ‘P’s’ – Peace and Prosperity.

 

Problems remain.  The rapid expansion in economic growth and development has lead to some corrupt practices – particularly in the area of urban development investment.  The gap between rich and poor remains an issue.  Intellectuals and academics although better qualified and paid, are less confident in the government.  Some educate their children in the USA.

 

A greater threat to China, according to Professor Wang, greater than that of the USA or Japan, is the problem of water. Although the environment is improving, water in the cities is still at risk of contamination and in the countryside, the risk is of pollution.

 

With so many domestic problems, Professor Wang suggested that perhaps it is best that China chooses to be a member of the world system rather than challenging it.

 

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

April 2012

 

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Tuesday 21st February 2012

University of Aberdeen

Room F61, Edward Wright Building, 5.15pm

Professor Stephan Feuchtwang

When civilisation becomes national: traditional selfcultivation and the multiplication of moral personality in the PRC

Professor Stephan Feuchtwang is an emeritus professor of the Department of Anthropology, London School of Economics. He has been engaged in research on popular religion and politics in mainland China and Taiwan since 1966, resulting in a number of publications on charisma, place, temples and festivals, and civil society. He has recently been engaged in a comparative project exploring the theme of the recognition of catastrophic loss, including the loss of archive and recall, which in Chinese cosmology and possibly elsewhere is pre-figured in the category of ghosts. Most recently he has been pursuing a project on the comparison of civilisations and empires.

Abstract:

The moral person - abstract

 

My topic is the formation, externally and internally of moral persons in the conditions under which a civilisation is turned into a self-conscious nationality. Nation-formation is pursued by intellectual and artistic elites especially once they have at their disposal a powerful state. In this presentation I stress the pedagogical mobilisation of versions of what are supposed, in the new narratives of nationality, always to have been the abiding character of the people of that nation. These pedagogies of moral personality are learned through their own aspirations by subjects who also have at their disposal other transmissions from the recent past and the further past of Chinese civilisation. I ask whether continuity of these traditions of self-cultivation are compatible with the pedagogy of continuity. I also stress the multiplication of inconsistent formations and cultivations of personhood in China, now including so many with references beyond China’s borders, not least the aspirations to material wealth and modernity. I develop a conception of a regime of self-conscious visibility, contrasted with the dynastic regime of imperial invisibility. The new regime of visibility is characterised by spectacular displays of sentiment and by responses of implicit irony. I argue that all these are general, global conditions. The one continuity that I think may be peculiar to China is the habit of moral pedagogy as a civilising mission.

 

NB There is a fascinating video of Professor Feuchtwang talking about his life and work on YouTube.

 

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

February 2012

 

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Tuesday, 17th January 2012

University of Aberdeen
Room F61, Edward Wright Building 
 
Emily Woodhouse, PhD student, Imperial College, Centre for Environmental Policy, Division of Biology, London.

The Effect of Tibetan Buddhist Culture on the Conservation Behaviour of Communities in Western China
 

Emily Woodhouse’s research interests lie in understanding the links between social institutions, culture, livelihoods and natural resource management with the aim of developing successful conservation strategies which benefit local communities and biodiversity. Her current research examines the effect of Tibetan Buddist culture on the conservation behaviour of communities in Western Sechuan, where there is evidence of significant social and economic change. It is funded by the ESRC with CASE funding from the World Pheasantry Association. Emily Woodhouse won second prize at the 2011 Student Conference on Conservation Science, University of Cambridge, ‘Tibetan sacred sites and conservation.

 

Local gods, karma and morality – religious relationships with the environment in a Tibetan Buddhist community (revised title).

 

Emily Woodhouse’s research interests lie in understanding the links between social institutions, culture, livelihoods and natural resource management with the aim of developing successful conservation strategies which benefit local communities and biodiversity. It is funded by the ESRC with CASE funding from the World Pheasantry Association. Emily Woodhouse won second prize at the 2011 Student Conference on Conservation Science, University of Cambridge, ‘Tibetan sacred sites and conservation’.

 

Ms Woodhouse’s current research examines the effect of Tibetan Buddist culture on the conservation behaviour of communities in Western Sechuan.,on the eastern edge of the Tibetan plateau. Using a case study of one valley in Dabpa (Daocheng) county, the research, concentrating on the forests, sought to explore the interconnectivity between religion, environment and the state and its implication for conservation.

 

Interdisciplinary research methods drawn from both the social and natural sciences were used to examine the effects of Tibetan Buddhism on a small agro-pasturalist society made up of nomadic cattle-herders and settled farmers. Research data was gathered through ethnographic methods (formal interviews, relaxed conservations and observation of daily life); natural sciences (structured questionnaires, land-use surveys) and satellite imaging of forests.

 

With reference to Emile Durkheim’s definition concerning the fusion of religion, society and the natural world, Ms Woodhouse explained the nature of the worldy gods (i.e. unpredictable and often malevolent); their relationship with the natural world (i.e.weather) and the influence of appeasing them through everyday action and ritual. The tripartite ordering of Tibetan cosmology was illustrated with a Tibetan Buddhist mandala  – a cosmic ‘diagram’ displaying the hierarchy of the deities.

 

Local attitudes to conservation were mixed.  For example, nobody actually took protective action within the community - this was reserved for outsiders; land rights over areas where the highly lucrative caterpillar fungus was gathered created serious (and even violent) boundary issues; conflict over natural resources tended to be about boundaries and was not of a religious nature; no need was felt to impose institutional punishment for  breaches in traditional conservation practice.

 

Alluding to Karma (loosely, the force of all a person’s acts -- good or evil – in shaping his/her destiny) Ms Woodhouse discussed  the potential environmental influence of the Karmic effect, citing examples such as the ritual release of animals and the protection of plant forms.

 

Ms Woodhouse went on to describe in detail  interconnections between humans, the landscape and the gods and how ritual was tied to everyday life.However, throughout the talk, Ms Woodhouse emphasised the capriciousnes of the gods and the inconsistency in human interpretation of their (the gods) demands.   Also, the demands of market forces now impinge on the maintenance of sacred rites and sacred sites.

 

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

January 2012

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December 13th  2011

University of Aberdeen

Edward Wright Building, F61

Julian Ward, Senior Lecturer in Chinese Studies, University of Edinburgh 

Michelangelo Antonioni’s Chung-kuo (China) and its reception in China and Europe.

In 1972, in between Zabriskie Point and The Passenger, Antonioni was invited by the Mao government of the People's Republic of China to visit the country. He made the documentary Chung Kuo, Cina, but it was severely denounced by the Chinese authorities as "anti-Chinese" and "anti-communist".The documentary had its first showing in China on November 25, 2004 in Beijing with a film festival hosted by the Beijing Film Academy to honor the works of Michelangelo Antonioni.

Julian Ward is Course Organiser for Chinese Literature and Associate Editor of the Journal of Chinese Cinemas. He is currently teaching courses on both traditional literature, including Tang and Song poetry and Ming vernacular fiction, and modern poetry and literature. Dr Ward has published extensively in the field of Chinese Film, most recently The Chinese Cinema Book.

Short excerpts from this four-hour long film can be found on YouTube - including (for those with a strong constitution) an acupuncture assisted Caesarian birth and a performance by a group of acrobats.In 1972, in between Zabriskie Point and The Passenger, Antonioni was invited by the Mao government of the People's Republic of China to visit the country. He made the documentary Chung Kuo, Cina, but it was severely denounced by the Chinese authorities as "anti-Chinese" and "anti-communist".
 
This, the second 2011 meeting of the Aberdeen Chinese Studies Group, proved to be an engaging yet challenging event.  The meeting was well attended in spite of the cold and blustery weather.  It was a great pleasure to welcome Dr Ward to the group. In addition, it was heartening to see some young Chinese exchange students from the School of Education as well as some new visitors from within the university.
 
Dr Ward described how Antonioni came to be invited to make the film at the point when diplomatic relations between China and Italy had recently been resumed. The film aroused strong feelings  - both for and against  - in China and Europe. Many, from both sides, felt that the film (voiced-over by Antonioni himself) denied the Chinese people their own voice. The Chinese authorities felt that Antonioni had selected images depicting China as backward looking and primitive and had displayed a ‘denigrating attraction to archaic charm.’ However, supporters of Antonioni felt that he had concentrated on mundane, everyday life rather than pay fawning tribute to the prevailing ideology. He had, they argued, deliberately chosen to avoid the established itinerary for visitors to China, e.g. the Great Wall, the Temple of Heaven, model kindergartens, new factories, etc. and show the ‘real’ China.
 
Antonioni’s choice of images and indeed the way he shot those images aroused the indignation of the Chinese authorities. A shot of the Nanjing Bridge over the Yangste river included shots of river boats with lines of washing strung up on their decks.  The bridge was shot from below rather than above – failing to show its use by modern transport. The camera angle itself was deemed ‘unflattering’.  Feelings ran so high in China that the film was even the subject of a children’s song denouncing it.
 
Dr Ward’s talk was rich in references to relevant books, articles and films and he illustrated his talk not only with clips from Antonioni’s film but also from other China documentary makers. He also mentioned his luck in acquiring a collection of –largely disparaging - newsaper articles from a retired naval officer.
 
In the end it was left to us, the audience, to decide whether this was a great piece of documentary making or a rushed rag-bag of distorted images. After a lively discussion of these issues, it could safely be said that the jury is still out on this one!
 
At the end of the meeting, Martin Mills announced a meeting on  January 17th when Emily Woodhouse would give a talk on religion and conservation (venue,time and title tba).

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

December 2011
 
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November 8th 2011

University of Aberdeen

Anthropological Museum

Marischal College

Neil Curtis, Head of Museums, University of Aberdeen

A (Chinese) Night at the Museum

Neil Curtis is Senior Curator in Marischal Museum where he has worked since 1988 and Honorary Lecturer in Anthropology. He studied Archaeology (Glasgow, 1986), Museum Studies (Leicester, 1988) and Education (Aberdeen, 1995). He has responsibility for the wide range of Marischal Museum’s collections (Scottish history and archaeology, European and Mediterranean archaeology, Non-Western ethnography, Numismatics and Fine Art), with a particular regional interest in the material from Scotland and Canada. Exhibitions he has curated include Going home: museums and repatriation (2003), Fiddles High and Low (2001), Inuit in Aberdeen (2000), The Bronze Age: an idea of prehistory (1996), Barbarians Entwined: Picts, Scots and Vikings (1995).       

The 2011/2012 opening meeting of the Aberdeen Chinese Studies Group proved to be an enjoyable and enlightening event. Neil Curtis, Head of Museums, University of Aberdeen, opened the currently closed Anthropological Museum at Marischal College to the group in order to see items in the Chinese collection.  He began the meeting with a brief history of the museum explaining how objects came to be found there in the first place.  This could have been due to travellers bringing back artefacts either for themselves or as gifts – or even collectors acquiring items, shall we say, through stealth!
 
After this introduction, the group was taken behind the scenes to the museum’s vast storage area. Box after box of Chinese textiles, garments, shoes, weapons, ceramics were made available for scrutiny and discussion. Prior to the meeting, Mr Curtis had said that the number of Chinese items stored by the museum was limited. To untutored eyes, the number seemed quite substantial.
 
It is hoped that members of the group will respond to this event with information and ideas about how to present items from this collection to the public. Many thanks to Neil Curtis for not only for presenting items of specific interest to Chinese Studies but also for demonstrating the enthusiasm, knowledge and creativity required to bring museums to life.
 
Next Meeting: December 13th, Julian Ward, Chinese Film (title and venue t/b/a).  All welcome.  
 
For more information about the university’s museums go to the following link: www.abdn.ac.uk/museums/

Tina Stockman

Publicity and Communication

Aberdeen Chinese Studies Group

November 2011

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GALLERY

Aberdeen Chinese Studies group acknowledges support from the Confucius Institute for Scotland

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