Other Stuff
Nameless faces stare from the front of the Cabinet Photos that I actually bought for their reverse. There you find some wonderful fonts and graphics and an interesting social comment of the time about this new medium - the fact that the early photgraphers wanted to compare to or see themselves as a continuation of the long established art world.
Mizpah card exteriorChromolithograph folding card with the front shown on the right. Mizpah has its origins as a Hebrew Biblical word. It is now regarded as a shorthand for the text on the left. | Mizpah card interiorThere is no space for recording the name of the giver or recepient anywhere on this card - perhaps that is the whole point?! | | Cachet exteriorEmbossed and printed to resemble crocodile skin with a clasp decorated in a gold initial B. This type of cachet was used to exchange notes between lovers. | Cachet interiorView shows the exposed gold leaf finished interior. | | T H Jackson | J Norris, Birmingham | | John McNamara, Romford | J Kerby, Ipswich | | Gibbs & Co, Middlesborough | J J Avery, London | | Memoriam CardDie cut, black edged card with a date of 1866 that places it at the height of Victorian mourning etiquette. Such a card would only have been affordable by the better off but infant mortality was no respecter of social class in this case. | Language of flowers about 18303 small pages from a book long since gone. Pictures are hand tinted. I have interpreted the flowers to match the scenes as follows: A striped carnation for refusal; Generally a rose is for love, a white rose for eternal love, a dog rose for pleasure; A sweetpea is for a goodbye or departure. | | | | |
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